Every
person, that ever wanted to be good at drawing had to practice. But how does
one practice? The answer is quite simple. You sketch. As often as you can, as
much as you can. It does not matter if it is good. It should simply be a way
for you to get out of your comfort zone, acquire new skills or to deepen those
that you already have.
In my
personal opinion, there are two types of sketchbooks. The first type is the
sketchbook in which you really practice. This is the one where you draw thousands
of hands, heads and feet. Most of them will probably not look too good, but
that doesn’t matter. It’s a practice tool.
The second
type of sketchbook is a masterpiece. A display of your best work. This is the
one you take with you to gatherings to show around. You think every piece
through before even starting it. Blank pages will be covered up with some sort
of art. This one is more of a show-of- tool.
Of cause
the description above is a bit over dramatic. Most sketchbooks fall somewhere
in between these two types.
The act of
daily practice is very important to improve one’s skill. Still I know many
people struggling with that. Myself included. The sketchbook that I am currently
using is a little over two years old. If I’d have sketched every day, it would have
probably been full around a year ago. But why do I find it so hard to draw every
day? And how could that be changed?
I think
that, for me, there are many whys. The most prominent being:
-
I
don’t know what to draw
-
I
don’t have the motivation to draw
-
I
don’t have the time to draw
-
It
would not matter if I drew. I wouldn’t be getting better anyway
For all of these problems, there are solutions. Let’s tackle one at a time.
Inspiration
Sometimes
inspiration hits you in the face. Inspiration doesn’t care whether you are
driving, dancing or about to fall asleep. When inspiration hits you, it’s best
to run for the nearest pen and paper and to jot down the idea before it leaves
your system. Trust me you won’t remember that awesome Idea when you wake up.
If inspiration
finds you that is great. But more often it does not find you. What you do then?
You are already sitting at your desk, utensils ready but with a mind as blank
as the paper before you? Here are some tips on what to do in that Situation.
1. Just start with something that you
are comfortable with. For me that are female faces. I cannot count the number
of pretty girls faces that fill up my sketchbooks or the random pieces of paper
with just an eye and hair on them. Once you have started, the ideas on how to develop
what you are drawing, will start to drop in.
2. Listen to some music and try to
capture the feeling through colours and shapes.
3. Do anatomical practice. It’s pain
and a struggle, but will help you get better. Just do it from time to time.
4. Social Media. Get your inspiration from
someone else. This is the route that I usually take when I am uninspired. I
follow a lot of different artist across different platforms. I will go on their
accounts and look for ideas. By that I don’t mean stealing their stuff. Do
never ever do that. But, you can look for inspiration. Most artist post about
how they practice. Maybe one of their exercises is something you’d like to do
today? My favourite account to get inspired by is: Minnie. She is a London based artist with a fantastic YouTube channel. She has produced a series called “30 ways to fill a sketchbook” (Link here). The content of that’s series is pretty self-explanatory. As you guessed: she shows 30 different exercises to fill up your sketchbook. All are very useful and fun.
5. Go to museums.
6. Meet up with other artists. Inspire each other.
Motivation
Inspiration
and motivation are like siblings. They usually despise each other, but occasionally
they will work together. If you are simultaneously inspired and motivated, that’s
perfect. Draw to your hearts content. We have already discussed what to do when
you are motivated but not inspired. But how do you get motivated if you aren’t?
I personally
think that you can’t force motivation. It’s that’s simple. But you can do
something without being motivated. It might not make as much fun in the
beginning, but you will at least draw. Here are a few tricks on how to start
doing stuff:
1. Set an alarm and start drawing as
soon as you hear it.
2. Create a routine. Draw right after
breakfast. Or at lunch. Make a tea before you start. Starting will get easier
once the routine is in your system. Your body will know what’s coming next and
you won’t even think about wheatear you are motivated or not.
Time
Here’s the thing with “I don’t have
time”. You probably have time. You have been watching YouTube for the last
hour. So, the time is there. It should be rephrased to: That’s not my priority right
now. So if you really think, that you don’t have time to draw. Then maybe it’s
time for some re-evaluation about your priorities. What are you doing instead
of drawing? Is it more important to you? If the answer is yes, then that’s ok.
But then your skills might not develop so fast. If the answer is no, well then,
start drawing!
Personally I decided a few years
ago, that drawing was always going to be a hobby for me. I don’t really like practicing
the same thing every day, over and over again. Once I realized that, it was
clear to me, that I would not practice every day, but I would practice if I felt
like it. For me that’s ok.
Development
You will get better if you practice.
Even if what you drew on that day was not as good as you expected, in the long
run you will get better. Just take a look at something you drew a year ago. See
a little difference? No. Fine, look back 5 years. Do you see it now? Leaning a
skill takes a long time. With art it takes even longer because your personal
style will change over time. Sometimes it important to remember what you have already
accomplished.
Now that we
have covered the mental part of sketching. Let’s have a look at the physical
part. What do you need to sketch? Long story short: paper and pen. Everything
else is extra, but nice to have. Personal preference plays a huge role in this.
You will have to experiment with different mediums and utensils to find out
what you like and what you don’t like. Every artist has his own “sketching kit”.
Here’s what mine looks like:
And last
but not least, a look into my sketchbook. At the end of this post, there will
be a whole filmed Sketchbook Tour. But for now, I’d like to show you my
favourite artwork in the book:
This watercolour sketch was one of the first landscape/ architectural things I ever drew. I used a photo for reference. This was the drawing, that made me fall in love with watercolour.
This is one of the many self portraits in my sketchbook (i do not look like that). I liked this very geometrical style I saw somewhere and decided to give it a try.
(Medium: copic Multiliners)
I started this one because I was visiting a very big city and got kind of overwhelmed. It turned into a mashup of every city I have ever been.
(Medium: copic Multiliners)
![]() |
Translation: I forgot, how much I loved reading |
This was my fist attempt to handletter. I still like how it turned out. It took me very long to do this. This text started my love for handlettering.
(Medium: copic Multiliners)
This double page shows how much my personal style changes. I had a phase where I loved this very chaotic way of sketching.
(Medium: copic Multiliners, pencil, coloured pencils)
This spread is another one of my favourites. I love how organic it feels. Unfortunately I can not remember what kind of music I was listening to while drawing it. But it must have been something very calm.
(Medium: copic Multiliners, watercolour)
This is my favourite handletteirng piece that I did so far. It is a quote from one of my favourite books, Rebel of the Sands. I think it shows how I have developed over time in this aspect of my art.
(Medium: copic Multiliners)
Here's the full tour:
I hope you liked these tipps and tricks. If you have any, let me know! I'd love to see your Sketchbooks!
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